#46/156 - The Ballad of Songbirds and Snakes by Suzanne Collins
As others have mentioned, this was a prequel to The Hunger Games and centers around the young man that would, by the time of the original trilogy, go on to become President Snow. I very much enjoyed the story and read the book in a day, but it didn't quite live up to the original books. It lacked some of the nuance and humanity of the view of the games from the perspective of the districts, and followed a more predictable arc as we see Snow grow from a privileged young man who lived through difficult times to the beginnings of the cruel man who we know from the original stories.
#47 - The Book Thief by Markus Zusak
Another YA title, this one set in WWII Germany and told from the point of view of death. This is another of those books that I heard a lot about when it was new and never got around to reading until the pandemic. I'm generally not a fan of Holocaust fiction, which has become so prolific in recent years that it almost seems like its own genre, but this one was excellent. The main character, Liesel, was very likeable in a very ordinary sort of way, and the story itself did a good job describing the impossible situation that ordinary people of conscience found themselves in as the Nazis rose to power and began to commit their atrocities.
#48 - Sin & Surrender by K.F. Breene
The sixth and final (but not really) book in a supernatural adventure/romance series I've been reading as they come out, this one didn't disappoint. It wrapped up the story arc of the main characters neatly, with a few surprises, and smoothly set up a forthcoming spin-off series about the most entertaining of the book's large supporting cast, which I'm sure I'll pick up as soon as it is released.
#49 - Into the Wild by Jon Krakauer
The now-classic story of Chris McCandless, who walked into the Alaska wilderness as the final leg of a journey of self-discovery that took him across the country, hitchhiking and hopping freight trains and hiking. It was an absolutely fascinating portrait of a young man who was in turns overconfident and naive and brilliant and deeply relatable. I read Krakauer's Under the Banner of Heaven years ago and really enjoy his writing style, which is journalistic but without being overly detached, and the story sucked me in right from the start even though I'd read parts of the book before when helping my daughter with an English assignment.
#50 - Surfacing by Margaret Atwood
This was... odd. Somehow engrossing and complex without being enjoyable. I picked it up simply because I'd never read any of Atwood's earlier work but loved The Handmaid's Tale, and it was quite a different creature from her later work. Her writing style is unusual, but effectively gives voice to an unreliable narrator as she tries to discover what has happened to her missing father while simultaneously reconciling herself with a trauma from her past and dealing with her relationships to her boyfriend and the other couple who accompany her to her father's remote cabin. The couple are broadly symbolic of modernity and in the relationship with her boyfriend, the narrator grapples with questions of feminism and independence. The ending of the story is ambiguous, much like that of The Handmaid's Tale, but it somehow fits the overall tone and feel of the story better than a clear resolution would.
#51 - The Wild Truth by Corine McCandless
A tell-all memoir by the sister of the young man at the center of Into the Wild, this was part interesting look deeper into his life and behind the scenes of Krakauer's investigation into his death and part brutal recounting of a deeply dysfunctional family that the author took far longer to escape than her brother did. But her ax to grind about her parents' toxicity and the bizarre circumstances that created a blended family of sorts between the children of her father's first marriage, two of whom were born after he'd started his second family with her mother, pushed the narrative into the sort of lurid family expose that I tend not to have much patience for. I understand why she would want to tell her story, as someone who broke the cycle of abuse, but it wasn't really my kind of book.